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Fakes, Forgeries, and Followers in the Taft Collection

October 22, 2022–February 5, 2023 | Sinton Gallery

Fakes and forgeries provide some of the most compelling stories in the art world. Did you know that the Taft collection contains some of its own attribution mysteries, some solved and others still in question? This small exhibition will reveal the fascinating histories of selected paintings and works of decorative art normally kept in storage. Among them, portraits originally thought to be by Rembrandt van Rijn demonstrate how authenticating the great Dutch master’s paintings has evolved in the century since Charles and Anna Taft built their collection. Paintings previously believed to have been created by Spanish artist Francisco de Goya and English landscapist John Constable were later discovered to be works by their followers. Nineteenth-century carved stone plaques once masqueraded as Renaissance portraits of royalty. A pair of porcelain vases was made in France in the late 1800s rather than, as the Tafts believed, in China a century earlier. Follow along as we trace the detective work that uncovered the true identities of these works of art, many of which have not been seen by the public in more than 30 years.


Exhibition Support Generously Provided by

Ellen and George Rieveschl Endowment

Warrington Exhibition Endowment

Chellgren Family Endowment

Sallie Robinson Wadsworth Endowment for Exhibitions


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