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Highlights from the Taft Historic House

Architectural Points of Interest in the Newly Preserved Home

Portico

The portico, or front porch, features a triangular roof called a pediment, supported by four columns. This stately architectural form originated in the design of ancient Greek temples. Physical evidence recently discovered inside the Taft portico’s roof reveals that it was likely attached to the house after the roof of the main house was completed, meaning the entire portico was probably added to the Taft historic house sometime after its original construction, probably in the mid-1820s or 1830s. The photo shown here was taken before preservation began in 2021.

Exterior Siding

The Taft historic house’s wooden exterior siding, painted white, was perhaps intended to emulate the appearance of marble when first installed around 1820. In 2021 and 2022, the siding was removed, rehabilitated, and reinstalled over a new drainage and insulation assembly to protect the building— and the Taft’s treasures inside—from weather and water damage. A refinished historic board sits atop a stack of boards just removed from the wall in this photograph.

Lost Murals


Sometime between 1863 and 1871, the murals painted by Robert S. Duncanson for Nicholas Longworth between 1850 and 1852 were covered with wallpaper. Perhaps at the same time, a new arched entryway was cut into the center of the wall between the Duncanson Foyer and the Music Room, mostly destroying two of Duncanson’s overdoor murals and a third, unknown mural. A conservator uncovered the corner of the frame of one of the overdoor murals in the late 1990s, but the rest of the damaged Duncanson mural fragments remain hidden today underneath a layer of paint.

Dining Room

In 1910, the Tafts hired the architectural firm Elzner & Anderson to enlarge their dining room and install a late-1700s-style plaster ceiling in the renovated space. Elzner & Anderson had previously constructed the American Book Building next door to the Tafts, as well as the Ingalls Building, the world’s first reinforced concrete skyscraper, located several blocks west at Fourth and Vine streets in Cincinnati.


A Duet of Artistic Inspiration | In Conversation with Duncanson Artists-in-Residence Kathy Wade and Tracy Walker

27 April 2026

In January 2026, two Cincinnati-based musicians with a passion for art and shared history as Duncanson Artists-in-Residence came together in a spirited dialogue in celebration of the program’s 40th anniversary. Learn more from Kathy Wade (1988) and singer-songwriter Tracy Walker (2011) and experience how two artists, decades apart, found meaning in their experiences as Duncanson Artists-in-Residence in excerpts from their conversation.

An Old Homestead: E. T. Hurley Works Gifted to the Taft

04 March 2026

In 2025, the Taft Museum of Art accepted two copper etching plates and four etchings depicting the Taft home by Edward Timothy (E. T.) Hurley from friends of the museum David and Debra Hausrath. Learn about E.T. Hurley's history, and his love for the home from Research Fellow, Kobi Morgan.

Asha Ama: Reclaiming Identity Through Design

26 February 2026

Anyone who has had the opportunity to encounter one of the many Duncanson Artists-in-Residence over the years has been fortunate to witness firsthand the creativity, courage, and cultural depth that define each year’s artist-in-residence. In 2021, that artist was Asha Ama Bias-Daniels—learn more about her work, her residency at the Taft, and her impact in the community and beyond as we celebrate 40 years of the Duncanson Program.

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