More to Discover

Highlights from the Taft Historic House

01 June 2022
Architectural Points of Interest in the Newly Preserved Home

Portico

The portico, or front porch, features a triangular roof called a pediment, supported by four columns. This stately architectural form originated in the design of ancient Greek temples. Physical evidence recently discovered inside the Taft portico’s roof reveals that it was likely attached to the house after the roof of the main house was completed, meaning the entire portico was probably added to the Taft historic house sometime after its original construction, probably in the mid-1820s or 1830s. The photo shown here was taken before preservation began in 2021.

Exterior Siding

The Taft historic house’s wooden exterior siding, painted white, was perhaps intended to emulate the appearance of marble when first installed around 1820. In 2021 and 2022, the siding was removed, rehabilitated, and reinstalled over a new drainage and insulation assembly to protect the building— and the Taft’s treasures inside—from weather and water damage. A refinished historic board sits atop a stack of boards just removed from the wall in this photograph.

Lost Murals


Sometime between 1863 and 1871, the murals painted by Robert S. Duncanson for Nicholas Longworth between 1850 and 1852 were covered with wallpaper. Perhaps at the same time, a new arched entryway was cut into the center of the wall between the Duncanson Foyer and the Music Room, mostly destroying two of Duncanson’s overdoor murals and a third, unknown mural. A conservator uncovered the corner of the frame of one of the overdoor murals in the late 1990s, but the rest of the damaged Duncanson mural fragments remain hidden today underneath a layer of paint.

Dining Room

In 1910, the Tafts hired the architectural firm Elzner & Anderson to enlarge their dining room and install a late-1700s-style plaster ceiling in the renovated space. Elzner & Anderson had previously constructed the American Book Building next door to the Tafts, as well as the Ingalls Building, the world’s first reinforced concrete skyscraper, located several blocks west at Fourth and Vine streets in Cincinnati.


Housecats | How Felines Influenced Edie McKee Harper’s Creative Work

13 October 2026

Butch. Cookie. Bitsy. Katrinka. These are just a few of the cats who pounced around the household of Edie McKee Harper, Charley Harper, and their son Brett Harper. You can find their essence embedded in the work of these artists, but these whiskered faces specifically take the spotlight across the work of Edie McKee Harper. Explore how cats impacted her artistry and creative process with Senior Manager of Marketing and Engagement Kay E. Bancroft, with research by Assistant Curator Angela Fuller.

Modeling Museum Practice | A Commitment to Black Artistry and Robert S. Duncanson's Legacy

01 October 2026

Some anniversaries simply invite us to celebrate. Others encourage us to ask why a legacy has endured. As the Taft Museum of Art commemorates the 175th anniversary of Robert S. Duncanson's landmark murals alongside the 40th anniversary of the Duncanson Program, we have a rare opportunity to reflect on how one artist's legacy has evolved from a remarkable chapter in history into a model for museums committed to creativity, community, and cultural equity.

A Journey to Conservation | In Conversation with Frederick A. Wallace, 1995 Duncanson Artist-in-Residence

26 August 2026

In 1995, Frederick A. Wallace, conservator, was named the 9th Duncanson Artist-in-Residence at the Taft Museum of Art. But what was his journey to the world of art like, and how did he become a conservator? In this interview, Jae Washington of Cincinnati's Conscience sits down with Wallace to discuss how conservation impacted his career and creative process, and some of his favorite things in Cincinnati.


Show more
Scroll to top