The Taft Museum of Art blog, Frame|Work, offers unique perspectives on the stories and people behind the Taft, its historic house, and the art and artifacts that leave us captivated. Immerse yourself in the Taft's history as we explore the past and preserve the treasures in our collection for centuries to come.
Discover new details and make new connections with the featured works of art by taking a “Closer Look” using the observation prompts that follow each description.
In The Inside Story (previously titled Collection Connection), Taft staff explore a range of topics related to the museum’s permanent collection, temporary exhibitions, and the history of the Taft house. This series of articles was originally published in Portico, the Taft’s members’ magazine.
Written by our curatorial team, who share with viewers some of their favorite works in our collection, their passion projects, and their current research initiatives.
The Power of Landscapes
In 1757, Irish statesman and philosopher Edmund Burke published On the Sublime and the Beautiful, which defined two different emotional responses to landscape in nature and in art. Burke stated that the beautiful is comforting and fosters pleasant and calm feelings—a placid lake, a perfectly formed seashell, a clear blue sky. On the opposite end of the spectrum, the sublime overwhelms with awe, terror, or danger—a steep precipice, a thunderstorm, a crashing waterfall. Burke explained that when experienced at a distance, such as translated through art, the sublime generates delight.